Explain it once, and explain it well.

• The approved script and storyboard.
• The master video at full resolution.
• Cuts for the platforms you name: wide, square and vertical.
• A caption file, and a version with the subtitles burned in.
• Still frames for thumbnails, decks and posts.
• The voice-over and music as separate audio files.

There is no list price: tell us the budget and the scope is shaped to fit it. These move the number.

Finished length

More seconds means more script, scenes and animation.

Number of scenes

Scenes, not seconds, are what get built.

Style of illustration

Simple motion moves fast; detailed illustration and 3D add stages.

Character animation

Expressions and lip-sync are a discipline of their own.

Voice and music

Your own recording or a hired voice; library or original music.

Platform versions

Each square or vertical cut reframes every scene.

Revision rounds

Agreed per stage, so changes stay predictable.

Turnaround

A tight deadline means parallel or out-of-hours work.

What do you need from us?

The message, the audience and the brand material you already have: logo files, colours, fonts, product photographs and any copy. Settle early who has final sign-off; it keeps the schedule whole.

How long does one take?

It depends on the length, the number of scenes and how quickly reviews come back. A schedule is quoted once the script and style are agreed, with the dates we work to and what we need from you to hold them.

Can we make changes once animation has started?

Yes, but the cost is not flat. Changing a line before the voice is recorded costs little; after the scene is animated it means re-recording and re-rendering. Sign-off happens in stages, and the revision rounds are agreed at the start.

Who owns the finished video?

The finished video is yours to use across your own channels. Licensed music, footage or voice carry their own terms, and you are told what they are before they go in. Project files are separate: raise it when the work is quoted.